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| Type | List | Author  | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Curson, Henry | The Theory of Sciences Illustrated; or the Grounds and Principles of the Seven Liberal Arts | 399p | |||||
 | 2. | [Berlioz, Hector] | Die diesjährigen Concerte des Conservatoriums zu Paris. | NZsfM | 13 | 12 | 46-47 | ||
 | 3. | Bishop, Henry R. (arr.) | Twelve corales: composed and harmonized by Martin Luther, Schop, Eccard, Graun, Osiander, Homilious and Sebastian Bach, | 64p | |||||
| | 4. | Johnston, Helen F. H. (trans.) | Passions Musik according to the Evangelist St. Matthew, chap. xxvi. & xxvii., composed by John Sebastian Bach. | 23p | |||||
| | 5. | Bülow, Hans von (ed.) | Chromatic fantasia and fugue in D minor / J.S. Bach | 24p | |||||
| | 6. | Bülow, Hans von (ed.) | Rondo (h moll) 1779 comp. von Philipp Emanuel Bach. | AntholClassique(Schlesinger1) | 9 | [?] | 3p | ||
| | 7. | Bülow, Hans von (ed.) | Rondo (h-Moll) / Ph. Em. Bach. | AntholClassique(Schlesinger2) | 11 | 3p | |||
| | 8. | Bülow, Hans von (ed.) | Konzert im italienischen Stil / Joh. Seb. Bach. | OeuvChoisiesPiano | 1 | 16p | |||
| | 9. | Bülow, Hans von (ed.) | Concert dans le style italien en Fa-Majeur / Joh. Seb Bach. | OeuvChoisiesPiano | 1 | 18p | |||
 | 10. | Bülow, Hans von (ed.) | Deux Gavottes en Ré-mneur et Sol-mineur (D-moll und G moll) / Joh. Seb. Bach. | OeuvChoisiesPiano | 4 | 8p | |||
| | 11. | Bülow, Hans von (ed.) | 2 Gavotten. No. 1. D-moll. No. 2. G-moll. [Deux gavottes en Ré-mineur et Sol-mineur (d-Moll und g-Moll)] | OeuvChoisiesPiano | 4 | 8p | |||
| | 12. | Bülow, Hans von | H. von Bülow's Vorbemerkung zu G. F. Händel's Chaconne in F-dur. | NBerlinerMz | 16 | 26 | 205-206 | ||
| | 13. | Bülow, Hans von (ed.) | Andante et rondo (sarabande et passepied) extraits de la suite anglaise en Mi-mineur (e-Moll) / Joh. Séb. Bach. | OeuvChoisiesPiano | 2 | 12p | |||
| | 14. | Bülow, Hans von (ed.) | Andante u. Rondo (Sarabande und Passepied aus der englischen Suite No. V.) | OeuvChoisiesPiano | 2 | 12p | |||
| | 15. | Bülow, Hans von (ed.) | Sechs ausgewählte Sonaten für Klavier allein von Carl Philipp Emanuel Bach. | 15, 11, 15, 15, 11, 11p | |||||
| | 16. | Bülow, Hans von | Ueber neue Bearbeitung älterer Clavierwerke. | NBerlinerMz | 17 | 29 | 225-226 | ||
| | 17. | Bülow, Hans von (ed.) | Deux Bourrèes extraites de la suite anglaise en La-majeur et La-mineur (A-dur und A-moll) / Joh. Séb. Bach. | OeuvChoisiesPiano | 3 | 15p | |||
| | 18. | Bülow, Hans von (ed.) | Fantaisie chromatique en Ré-mineur (d-Moll) / Joh. Séb. Bach. | OeuvChoisiesPiano | 5 | 27p | |||
| | 19. | Bülow, Hans von (ed.) | Grosse Fantasie und Fuge [A-moll] von Joh. Seb. Bach. | OeuvChoisiesPiano | 6 | 13p | |||
| | 20. | Bülow, Hans von (ed.) | Grande fantaisie et fugue en La-mineur (a-moll) / Joh. Séb. Bach. | OeuvChoisiesPiano | 6 | 13p | |||
| | 21. | Bülow, Hans von (ed.) | Vier Stücke aus der Partita H moll von Joh. Seb. Bach. | OeuvChoisiesPiano | 7 | 13p | |||
| | 22. | Bülow, Hans von (ed.) | Concerto nello stilo italiano in Fa maggiore / G. S. Bach | 20p | |||||
| | 23. | Bülow, Hans von (ed.) | Suite in F-dur (No. 4 der englischen Suiten) / Joh. Seb. Bach. | 16p | |||||
| | 24. | Bülow, Hans von (ed.) | Fantasie c-Moll von Joh. Seb. Bach. | 17-20 | |||||
| | 25. | Johnston, Helen F. H. (ed.) | The Passion according to St. Matthew the Evangelist; an oratorio. | 27p | |||||
| | 26. | Bülow, Hans von (ed.) | Fantasia in Do minore / Johann Sebastian Bach. | 4p | |||||
| | 27. | Bülow, Hans von (ed.) | [Two Gavottes, D min. and G. min. / J. S. Bach] | ||||||
| | 28. | Bülow, Hans von (ed.) | Quatro pezzi della partita in Si minore / G. S. Bach. | 11p | |||||
| | 29. | Bülow, Hans von (ed.) | Präludium und Fuge über den Namen Bach. | OeuvChoisiesPiano | 13 | 7p | |||
| | 30. | Bülow, Hans von (ed.) | Concerto nello stile Italiano in Fa maggiore / G. S. Bach | SceltaOpere(Bülow) | 1 | 20p | |||
| | 31. | Bülow, Hans von (ed.) | Andante e Rondò (Sarabande Passepied) estratti dalla Suite Anglaise in Mi minore / di Bach. | SceltaOpere(Bülow) | 2 | 10p | |||
| | 32. | Bülow, Hans von (ed.) | Due Bourrées estratte dalla Suite Anglaise in La maggiore e La minore / di Bach | SceltaOpere(Bülow) | 3 | 13p | |||
| | 33. | Bülow, Hans von (ed.) | Due Gavotte in Re minore e Sol minore / Gio. Seb. Bach | SceltaOpere(Bülow) | 4 | 6p | |||
| | 34. | Bülow, Hans von (ed.) | Fantasia Cromatica e fuga in Re minore / G. S. Bach. | SceltaOpere(Bülow) | 5 | 23p | |||
| | 35. | Bülow, Hans von (ed.) | Grande Fantasia e Fuga in La minore / Gio. Seb. Bach. | SceltaOpere(Bülow) | 6 | 13p | |||
| | 36. | Bülow, Hans von (ed.) | Quatre pieces de la partita en si mineur / Joh. Seb. Bach. | SceltaOpere(Bülow) | 7 | 111p | |||
| | 37. | Bülow, Hans von (ed.) | Suite anglaise No. 4; Fantaisie (C) / Bach. | ||||||
| | 38. | Bülow, Hans von (ed.) | Invenzioni a due e tre parti per Pianoforte: Quindici Invenzioni a due parti: Quindici Invenzioni a tre parti / di G.S.Bach | 37p | |||||
| | 39. | O., H. S. | The Lower Rhenish. No. 1 (Düsseldorf, June 3). | MWorld | 62 | 24 | 368 | ||
| | 40. | Bülow, Hans von (arr.) | Suite in H moll für Flöte und Streich-Orchester / Joh. Seb. Bach | 17p + St | |||||
| | 41. | Bülow, Hans von (ed.) | Sarabanda: estratta dalla Suite Inglese in Mi minore / G. S. Bach. | 10p | |||||
| | 42. | Bülow, Hans von (ed.) | Gran fantasia e fuga in la minore / G. Seb. Bach | 13p | |||||
| | 43. | Bülow, Hans von (ed.) | Fantasia cromatica e fuga in re minore / G. S. Bach. | 23p | |||||
| | 44. | Bülow, Hans von (ed.) | Due gavotte in re minore e sol minore / G. S. Bach. | 6p | |||||
| | 45. | Pudor, Heinrich | Das Heroentum in der deutschen Musik. | 29p | |||||
| | 46. | Bülow, Hans von; Vogrich, Max (eds.) | Chromatic Fantasy and Fugue. Concerto in the Italian Style. Fantasy in C minor. Prelude and Fugue in A minor. | SchirmerLib | 22 | 55p | |||
| | 47. | Bülow, Hans von (ed.) | Fifteen Two-Voiced Inventions. | 31p | |||||
| | 48. | Bülow, Hans von (ed.) | 60 ausgewählte Klavier-Etüden von J. B. Cramer. | 141, 63p | |||||
| | 49. | Bülow, Hans von (ed.) | Fantasie, C moll / von Joh. Seb. Bach | 6p | |||||
| | 50. | Bülow, Hans von (ed.) | Heureux celui qui meurt fidèle!: Choeur à quatre voix seules / par G. S. Bach. | 8p | |||||
| | 51. | Wood, Henry Joseph (ed.) | Motet No. 1: 'Sing ye to the Lord': for double chorus / Joh. Seb. Bach. | [BG(Motette)] | 1 | [rev] | 42p | ||
| | 52. | Bulow, Hans von (ed.) | Anthology of Piano Classics. Twenty-eight selected compositions by Bach, Beethoven, Chopin, Field, Handel, Haydn, Mendelssohn, Mozart, Schubert, Schumann [and] Weber. | SchirmerLib | 1263 | 163p | |||
| | 53. | Curzon, Henri de | Bach et sa Famille. | Musica(Paris) | 6 | 61 | 151-152 | ||
| | 54. | Thompson, Herbert | Mass in B Minor ('Die Hohe Messe'), by Johann Sebastian Bach | 19p | |||||
| | 55. | Bülow, Hans von; Leeuwen, Arý van (arr.) | Suite in h moll für Flöte und Streich Orchester / von Joh, Seb. Bach | 17p + St | |||||
| | 56. | Wood, Henry Joseph (ed.) | Motet No. 4: 'Be Not Afraid,' for Eight-Part Chorus / Joh. Seb. Bach. | [BG(Motette)] | 4 | [rev] | 26p | ||
| | 57. | Wood, Henry Joseph (ed.) | Motet No. 5: 'Come, Jesu, come,' for Eight-Part Chorus / Joh. Seb. Bach. | 24p | |||||
| | 58. | Wood, Henry Joseph | Analytical notes for the choristers on Bach's Mass in B Minor. | 5 pt | |||||
| | 59. | Wood, Henry Joseph (ed.) | Motet No. 5: 'Come, Jesu, come,' for Eight-Part Chorus / Joh. Seb. Bach. | [BG(Motette)] | 5 | [rev] | 24p | ||
| | 60. | Wood, Henry Joseph (ed.) | Motet No. 6: 'Praise the Lord All Ye Heathen' / Joh. Seb. Bach. | [BG(Motette)] | 6 | [rev] | 15p | ||
| | 61. | Bülow, Hans von; Morgan, Orlando (eds.) | Italian concerto / J. S. Bach | 16p | |||||
 | 62. | Wood, Henry Joseph (arr.) | Abide with me: song for voice and orchestra by J.S. Bach | 4 Bl | |||||
| | 63. | Bülow, Hans von; Morgan, Orlando (eds.) | Chromatic fantasia and fugue / J.S. Bach | 23p | |||||
| | 64. | Bülow, Hans von (ed.) | Sei sonate per clavicordo / K. Ph. Em. Bach | 67p | |||||
| | 65. | Button, H. Elliot (ed.) | Chorales harmonized by Johann Sebastian Bach. | xiv, 181p | |||||
| | 66. | Bülow, Hans von (ed.) | Sonate e partite per violino solo / J. S. Bach. | 3, 59p | |||||
| | 67. | Wood, Henry Joseph (arr.) | SUITE No.6 For Full Orchestra / Johann Sebastian Bach | 51p | |||||
| | 68. | Bülow, Hans von (ed.) | Chromatische Fantasie und Fuge für Pianoforte. | ||||||
| | 69. | Bülow, Hans von (ed.) | Concerto nello stile italiano in fa maggiore e Fantasia cromatica e fuga in re minore per pianoforte / G. S. Bach. | 38p | |||||
| | 70. | Bülow, Hans von (ed.) | Sechs Klavier-Sonaten von C. Ph. Em. Bach. | EdPeters | 276 | 75p | |||
| | 71. | Craxton, Harold (arr.) | LARGO from Concerto in F minor for Clavier and Orchestra by J. S. BACH. | 3p | |||||
| | 72. | Wilson, Steuart; Davidson, Harold (eds.) | 'In praise of Bach': J.S.Bachs Cantata No. 207 | 55p | |||||
| | 73. | Judd, Gwendolen; Craxton, Harold (arr.) | Fuga alla giga / J. S. Bach | 10p | |||||
| | 74. | Schnoor, Hans | Das Oratorium im 18. Jahrhundert. | [ce]HandbuchMges_Adler | 714-718 | ||||
| | 75. | Brandon, Hugh | Bach Festival in Australia. | MTimes | 71 | 1048 | 543 | ||
| | 76. | LeRoy, Henri Léon (arr.) | Fifteen concert etudes for Clarinet in Bb with piano / Johann Sebastian Bach. | 31p | |||||
| | 77. | Craxton, Harold; Russell, Sheridan (arr.) | Largo by Johann Sebastian Bach. | 4p + St | |||||
| | 78. | Richardson, H. Percy (arr.) | LARGO in F from Concerto in D minor for Two Violins and Orchestra by J. S. Bach | 5p | |||||
| | 79. | Bülow, Hans von (ed.) | Concerto nello stile Italiano per pianoforte / G. S. Bach | 19p | |||||
| | 80. | Wood, Henry Joseph (arr.) | Organ Toccata and Fugue in D minor, For Orchestra / Bach-Klenovsky. | 44p | |||||
| | 81. | Schnoor, Hans | Die Stadt Bachs. | DieMusik | 27 | 8 | 634-635 | ||
| | 82. | Ferguson, Howard (arr.) | FUGA RICERCATA [a6] from 'Das Musikalisches Opfer' / J. S. BACH | 12p | |||||
| | 83. | Anson, Hugo (arr.) | Süsser Trost, mein Jesus kömmt (Blessèd hope, a saviour is born) / J. S. Bach | 8p | |||||
| | 84. | Wood, Henry Joseph (ed.) | Brandenburg concerto, no.1 / Bach. | 31p | |||||
| | 85. | Wood, Henry Joseph (ed.) | Brandenburg concerto, no.6 in B flat / Bach-Wood. | 47p | |||||
| | 86. | Loon, Hendrik Willem van | The Life and Times of Johann Sebastian Bach. | 68p | |||||
| | 87. | Glaeson, Harold | Organ Instruction before Bach. | BulAMSoc | 4 | 14-16 | |||
| | 88. | Glaeson, Harold | The Scheibe-Bach Controversy. | BulAMSoc | 4 | 24-25 | |||
| | 89. | Wood, Henry Joseph (ed.) | Brandenburg Concerto No.4 in G major / Johann Sebastian Bach. | 59p | |||||
| | 90. | Wood, Henry Joseph (ed.) | Brandenburg concerto, no.5 in D: for solo pianoforte, flute and violin with accompaniment of strings / by Johann Sebastian Bach. | i, 68p | |||||
| | 91. | Wood, Henry Joseph (ed.) | Brandenburg concerto, no.6 in B flat: for 2 violas da braccio, 2 violas da gamba, violoncello, violone and cembalo by Johann Sebastian Bach. | i, 98p | |||||
| | 92. | Wood, Henry Joseph (ed.) | Brandenburg Concerto No.3 in G major / Johann Sebastian Bach. | 70p | |||||
| | 93. | Loon, Hendrik Willem van | J. S. Bach élete és kora. | 169p | |||||
| | 94. | Loon, Hendrik Willem van | Questa volta Erasmo ha una sorpresa per noi e facciamo la conoscenza dei Bach e dei Breughel. | 93-108 | |||||
| | 95. | Bülow, Hans von (ed.) | Chromatische Fantasie und Fuge / Joh. Seb. Bach. | 25p | |||||
| | 96. | Bülow, Hans von (ed.) | Fantasie c-moll = Fantasia, c minor, piano by Joh. Seb. Bach | 6p | |||||
| | 97. | Müller von Asow, Hedwig; Müller von Asow, Erich Hermann (eds.) | Georg Friedrich Händel / Biographie von John Mainwaring; Briefe und Schriften. | 219p | |||||
| | 98. | Raynor, H. B. | St. Matthew Passion. | MSurvey | 2 | 1 | 60 | ||
| | 99. | Loon, Hendrik Willem van | La vita e i tempi di J. S. Bach. | 142p | |||||
| | 100. | Craxton, Harold (ed.) | Fugue in A minor / Bach. | 7p | |||||
| | 101. | Thom, Hans Jürgen | Die Bachpflege in den Leipziger Kirchenkantaten. | [ce]JSBThomaskantor | 35-36 | ||||
| | 102. | Müller von Asow, Hedwig; Müller von Asow, Erich Hermann | Johann Sebastian Bach. Briefe. Gesamtausgabe. | DMbücherei | 1 | [N.F.] | 228p | ||
| | 103. | Ferguson, Howard (arr.) | Lute suite, in C minor / J. S. Bach. | EdSchott | 10126 | iii, 23p | |||
| | 104. | Ferguson, Howard (arr.) | Fugue in G minor for violin and continuo / J.S. Bach. | 12p + St | |||||
| | 105. | O., H. | Greifswalder Bachwoche. | Musica | 5 | 10 | 428 | ||
| | 106. | Ferguson, Howard (arr.) | Sonata in E minor: for violin and continuo / J. S. Bach | EdSchott | 10277 | 15p + St | |||
| | 107. | Goos, Herta | 20 Jahre Bach-Chor in Neumünster. | MKirche | 24 | 3 | 130 | ||
| | 108. | Gleason, Harold | Ornamentation. | OrganInstQ | 7 | 4 | 7-12 | ||
| | 109. | Bülow, Hans von; Montani, Pietro (eds.) | Concerto italiano per pianoforte / Bach. | 17p | |||||
| | 110. | Bülow, Hans von; Montani, Pietro (eds.) | Fantasia cromatica e fuga per pianoforte = Fantasie chromatique et fugue pour piano = Chromatic fantasy and fugue for piano / Bach. | 18p | |||||
| | 111. | Wood, Hugh | Arthur Somervell: Two Conversations about Bach (2 vns & pf) (score & parts 3s 6d). Joseph Williams. | MTimes | 101 | 1414 | 776 | ||
| | 112. | Stubington, Huskisson | J. S. Bach: Some facts and fancies. | MOpinion | 84 | 693-695 | |||
| | 113. | Ferguson, Howard (ed.) | Style and interpretation; an anthology of 16th-19th century keyboard music. Vol. 2, Early keyboard music (II): Germany and Italy. | 64p | |||||
| | 114. | Poos, Heinrich | Ernst Peppings Liederkreis für Chor nach Gedichten von Goethe 'Heut und ewig': Studien zum Personalstil des Komponisten. | BerlinerStMw | 9 | xiii, 170p | |||
| | 115. | Ferguson, Howard | Bach's 'Lauten Werck'. | MLetters | 48 | 3 | 259-264 | ||
| | 116. | Ferguson, Howard (ed.) | Early German Keyboard Music (including Austria & the Netherlands). An anthology. | 114p | |||||
| | 117. | Landon, H. C. Robbins; Chapman, Roger E. (eds.) | Studies in eighteenth-century music. A tribute to Karl Geiringer on his seventieth birthday. | [fs]Geiringer70 | 425p | ||||
| | 118. | Ferguson, Howard (ed.) | Style and interpretation: an anthology of keyboard music. Vol.5, I , Keyboard duets. 17th-18th century. | 78p | |||||
| | 119. | Poos, Heinrich (ed.) | Festschrift Ernst Pepping zu seinem 70. Geburtstag am 12. September 1971. | [fs]Pepping70 | 410p | ||||
| | 120. | Gleason, Harold | A Seventeenth-Century Organ Instruction Book. | Bach | 3 | 1 | 3-12 | ||
| | 121. | Burton, Humphrey | Gespräche mit Glenn Gould. I. Über Bach und Schallplattenaufnahmen. | NZsfM(2) | 134 | 2 | 74-79 | ||
| | 122. | Ferguson, Howard | Keyboard Interpretation from the 14th to the 19th Century: an Introduction. | ix, 211p | |||||
| | 123. | Villa-Lobos, Heitor (arr.) | Préludes et fugues d'après Jean-Sébastien Bach | 30p | |||||
| | 124. | Poos, Heinrich | Harmoniestruktur und Hermeneutik in C. Ph. E. Bachs fis-Moll-Fantasie. | [cr]Berlin1974 | 319-323 | ||||
| | 125. | Gleason, Harold | A Seventeenth-Century Organ Instruction Book. [Wegweiser die Kunst die Orgel] | Bach | 12 | 3 | 11-20 | ||
| | 126. | Ferguson, Howard (ed.) | Selected keyboard works. Book I: Short & easy pieces / C. P. E. Bach | 40p | |||||
| | 127. | Ferguson, Howard (ed.) | Selected keyboard works. Book II: Miscellaneous pieces / C. P. E. Bach | 47p | |||||
| | 128. | Ferguson, Howard (ed.) | Selected keyboard works. Book III: Five sonatas / C. P. E. Bach | 48p | |||||
| | 129. | Ferguson, Howard (ed.) | Selected keyboard works. Book IV: Six sonatas from the 'Versuch' / C. P. E. Bach | 51p | |||||
| | 130. | Poos, Heinrich (ed.) | Chormusik und Analyse. Beiträge zur Formanalyse und Interpretation mehrstimmiger Vokalmusik. | [ce]ChormusikAnalyse | 281, 170p | ||||
| | 131. | Poos, Heinrich | ... [betr. Chorsatz 'Et incarnatus est' aus H-moll-Messe von J. S. Bach] | [ce]ChormusikAnalyse | i: 13-19 | ||||
| | 132. | Cinnamon, Howard | Durational reduction and Bach's C-major invention: an alternative view. | InTheoryOnly | 7 | 4 | 25-35 | ||
| | 133. | Poos, Heinrich | Bachs Theologia crucis in nuce und die Matthäus-Passion. | Fusa | 16-20 | 148-163 | |||
| | 134. | Poos, Heinrich | Über Anspruch und Methode der Analyse Bachschen Vokalmusik. | MBildung | 17 [76] | 4 | 270-274 | ||
| | 135. | Poos, Heinrich | Bach-Jahrbuch 1982. | MKirche | 55 | 2 | 86-88 | ||
| | 136. | Poos, Heinrich | Bach-Jahrbuch 1983. | MKirche | 55 | 4 | 194-195 | ||
| | 137. | Cox, Howard H. | Bach, the Bible, and the Cyclotron. | Proteus | 2 | 1 | 8/13 | ||
| | 138. | [Cox, Howard H.] | The Authentification of the Hand-Penned Material in Bach's Calov Bible. | StudMcol | 92 | 3-11 | |||
| | 139. | [Cox, Howard H.] | A Literary Analysis of the Intelligible Entries from the Total Sample. | StudMcol | 92 | 12-30 | |||
| | 140. | Cox, Howard H. (ed.) | The Calov Bible of J. S. Bach. | StudMcol | 92 | x, 460p | |||
| | 141. | Cadenbach, Rainer; Loos, Heimut (eds.) | Beiträge zur Geschichte des Oratoriums seit Händel. Festschrift Günther Massenkeil zum 60. Geburtstag. | [fs]Massenkeil60 | 595p | ||||
| | 142. | Krogh, Ingeborg; Erikson, Hans Tomas; Bøggild, K. (eds.) | Festskrift til Finn Viderø: 1906 - 15 August 1986. | [fs]Videro80 | 148p | ||||
| | 143. | Poos, Heinrich | Kreuz und Krone sind verbunden: Sinnbild und Bildsinn im geistlichen Vokalwerk J. S. Bachs. Eine ikonografische Studie. | MKonzepte | 50-51 | 3-85 | |||
| | 144. | Poos, Heinrich | 'Christus coronabit crucigeros': Hermeneutischer Versuch über einen Kanon Johann Sebastian Bachs. | BeitrTheolBachF | 4 | 67-97 | |||
| | 145. | Poos, Heinrich | 'Nexus vero est poeticus': Zur fis-Moll Fantasie Carl Philipp Emanuel Bachs. | JbStaatInstMf | 1983-84 | 83-114 | |||
| | 146. | Brandenburg, Sieghard; Loos, Helmut (eds.) | Beiträge zu Beethovens Kammermusik: Symposion, Bonn 1984. | VeröffBeethovenHausBonn | 4 | 10 | 352p | ||
| | 147. | Cox, Howard H. | Tintenanalyse als neues Mittel der Bachforschung. Schrieb Bach alles, was an Eintragungen in der Calov-Bibel enthalten ist? | [cr]Leipzig1985 | 291-294 | ||||
| | 148. | Poos, Heinrich | 'Nexus vero est poeticus': Zur fis-Moll Fantasie Carl Philipp Emanuel Bachs. | FrankfurtBeitrMw | 20 | 189-220 | |||
| | 149. | Cox, Howard H. | Bach's Conception of His Office. | Bach | 20 | 1 | 22-30 | ||
| | 150. | Bülow, Hans von | Felix Mendelssohn. | [ce]MendelssohnHisWorld | 390-394 | ||||
| | 151. | Junghanns, Herbert; Herzog, Hans Kurt (ed.) | Der Piano- und Flügelbau. | SchrRMInstr | 4 | 254p | |||
| | 152. | Scior, Heinz | Bachs Potsdam-Besuch in den 'Franckfurter Gazetten'. | BachJb | 78 | 81-83 | |||
| | 153. | Poos, Heinrich | J. S. Bachs Chaconne für Violine solo aus der Partita d-Moll, BWV 1004. Ein hermeneutischer Versuch. | [fs]Schmitz75 | 169-189 | ||||
| | 154. | Cox, Howard H. | The Text Selection Process in Handel's Chandos Anthems. | Bach | 24 | 1 | 21-34 | ||
| | 155. | Poos, Heinrich | Carl Philipp Emanuel Bachs Rondo a-Moll aus der Zweiten Sammlung...für Kenner und Liebhaber: Protokoll einer Annaherung | [ce]CPEB_BeitrLW | 119-170 | ||||
| | 156. | Poos, Heinrich | Carl Philipp Emanuel Bach. Beiträge zu Leben und Werk. | [ce]CPEB_BeitrLW | 417p | ||||
| | 157. | Cox, Howard H. | Bach's Knowledge of the Bible. | [fs]Scheide | 87-99 | ||||
| | 158. | Poos, Heinrich | J. S. Bachs Chaconne für Violine solo aus der Partita d-Moll, BWV 1004. Ein hermeneutischer Versuch. | JbStaatInstMf | 1993 | 151-203 | |||
| | 159. | Cox, Howard H. | The Scholarly Detective: Investigating Bach's Personal Bible. | Bach | 25 | 1 | 28-45 | ||
| | 160. | Poos, Heinrich | Henrik Neugeborens Entwurf zu einem Bach-Monument (1928): Dokumentation und Kritik. | [fs]Budde60 | 45-57 | ||||
| | 161. | Poos, Heinrich | Johann Sebastian Bach. Der Choralsatz als musikalisches Kunstwerk. | MKonzepte | 87 | 112p | |||
| | 162. | Gleason, Harold | A seventeenth-century Organ Instruction Book. [Wegweiser die Kunst die Orgel recht zu schlagen] | Bach | 27 | 2 | 60-83 | ||
| | 163. | Poos, Heinrich | 'Es ist genug'. Versuch über einen Bachchoral (BWV 60,5). | JbStaatInstMf | 1995 | 134-184 | |||
| | 164. | Heinemann, Michael; Poos, Heinrich (eds.) | Pepping-Studien. I: Analysen zum Schaffen der Jahre 1926-1949. | PeppingSt | 1 | 208p | |||
| | 165. | Loos, Helmut (ed.) | Musikgeschichte zwischen Ost- und Westeuropa: Symphonik--Musiksammlungen. | DMOsten | 10 | xi, 565p | |||
| | 166. | Poos, Heinrich | Streicherfantasien zu einem Motiv von Johann Sebastian Bach: Fragmentarischer Kommentar. | 11-21 | |||||
| | 167. | Loos, Helmut; Cadenbach, Rainer (eds.) | Hermann Kretzschmar: Leben, Werk, Wirkung. | [cr]Olberhau1998 | vi, 224p | ||||
| | 168. | Loos, Helmut | Die Rolle der Orgel in den Messen der Breslauer Domkapellmeister des 19. Jahrhunderts und die Arrangementpraxis der Zeit. | KmlSt | 4 | 103-116 | |||
| | 169. | Loos, Helmut; Möller, Eberhard (eds.) | Musikgeschichte in Mittel- und Osteuropa. V. | MgesMittOstEurop | 5 | 256p | |||
| | 170. | Loos, Helmut | Zwei Beispiele für Nationalität als Richtlinie und Massstab deutscher Musikgeschichtsschreibung. | [cr]Bratislava1998 | 141-158 | ||||
| | 171. | Waleson, Heidi | Bach in 2000. | EarlyMAmer | 6 | 2 | 25-29, 46-47 | ||
| | 172. | Fidom, Hans | Orgelkunst internet: www.bach.de en www.bach.nl. | Orgelkrant | 4 | 2 | |||
| | 173. | Fidom, Hans | Bach-concours NCRV. | Orgelkrant | 4 | 3 | |||
| | 174. | Hespos, Hans-Joachim | Musik, die mich weiterträgt. | [ce]BegegnungenMitBach | 121 | ||||
| | 175. | Loos, Helmut; Koch, Klaus-Peter (ed.) | Musikgeschichte zwischen Ost- und Westeuropa. Kirchenmusik - geistliche Musik - religiöse Musik. Bericht der Konferenz Chemnitz 28.-30. Oktober 1999 anläßlich des 70. Geburtstages von Klaus Wolfgang Niemöller. | EdIME | 1 | 7 | 694p | ||
| | 176. | Andraschke, Peter; Loos, Helmut (eds.) | Ideen und Ideale: Johann Gottfried Herder in Ost und West. | RombachWiss(Litterae) | 103 | 339p | |||
| | 177. | Loos, Helmut | Sankt-Bach-Passion von Mauricio Kagel: Auch ein musikalisches Theater. | [cr]Ljubljana2002 | 132-140 | ||||
| | 178. | Sassoon, Humphrey F. | Royal peculiar: JS Bach's Musical Offering and the source of its theme. | MTimes | 144 | 1885 | 38-39 | ||
| | 179. | Fidom, Hans | Bach rond de speeltafel: Serie concerten met Kees van Houten. | Orgelkrant | 7 | 1 | |||
| | 180. | Loos, Helmut | Weihnachtsmusiken Leipziger Thomaskantoren des 17. Jahrhunderts. | JbKonfMittDBarockM | 2002 | 264-271 | |||
| | 181. | Fidom, Hans | orgelkunst@Internet: orgelsculptuur in Alpirsbach. | Orgelkrant | 8 | 2 | |||
 | 182. | Oh, Hea-Seung | Interpreting J. S. Bach's solo violin sonatas and partitas through Leopold Mozart, Joachim/Moser, and Galamian. | diss. | ix, 85p | ||||
| | 183. | Fidom, Hans | Orgelkunst@Internet: Scriptie Peter van Kranenburg over computermatiege analyse van orgelwerken van Bach op het internet. | Orgelkrant | 9 | 4 | |||
 | 184. | Loos, Helmut | Zur Bachpflege in Riga im 19. Jahrhundert. | [p]IK_Leipzig | |||||
| | 185. | Loos, Helmut | Beethoven und Bach, eine historische Legende. | [cr]Cracow2003 | 17-30 | ||||
| | 186. | Fidom, Hans | Orgelkunst@internet: Nieuwe initiatieven Grote kerk Dordrecht www.bachorgel.nl. | Orgelkrant | 10 | 3 | |||
 | 187. | Hitron, Haggai | Striking the right tone. | ||||||
| | 188. | Loos, Helmut | Musikpflege und Bach-Rezeption im Riga des 19. Jahrhunderts. | BeitrGesBachRezeption | 1 | 367-377 | |||
| | 189. | Loos, Helmut | Der Komponist als Gott musikalischer Kunstreligion: Die Sakralisierung der Tonkunst. | [ce]MRaumKirche | 98-138 | ||||
| | 190. | Fidom, Hans; Luth, Jan R.; Wolff, Christoph (eds.) | Pro Organo Pleno: Essays in Honor of Ewald Kooiman for his 70th birthday. | [fs]Kooiman70 | 135p | ||||
| | 191. | Fidom, Hans | Bach en Messiaen zijn de rode draden in mijn carièrre geweest - Gepassioneerd en nuchter: Charles de Wolff. | Timbres | 1 | ||||
| | 192. | Loos, Helmut | Zu den Kirchenkantaten Wilhelm Friedemann Bachs. | [p]IWK_Leipzig | |||||
| | 193. | Loos, Helmut | Untersuchungen zum Repertoire des Leipziger Thomanerchores zwischen 1808 und 2008 auf der Grundlage EDV-gestützter statistischer Erhebungen. | [ce]800JThomana | 219-233 | ||||
| | 194. | Loos, Helmut | Wilhelm Friedemann Bachs Kirchenkantaten und die musikalisch-rhetorische Tradition. | ForumMittDBarockM | 1 | 79-84 | |||
| | 195. | Loos, Helmut | Die 'Leipziger Schule': Zur Geschichte der Kirchenmusik im 20. Jahrhundert. | Muzikologija | 15 | 147-168 | |||
| | 196. | Leech-Wilkinson, Daniel; Prior, Helen M. | Heuristics for Expressive Performance. | [ce]ExpressivenessMPerform | 34-57 | ||||
| | 197. | Davidsson, Hans | Mendelssohn's sonatas, op. 65, and the Craighead-Saunders organ at the Eastman School of Music: Aspects of performance practice and context. | EastmanStudM | 118 | 141-210 | |||
| | 198. | Loos, Helmut | Kontroverse um Mozart: die Kirchenmusik. | [fs]Krummacher65 | 133-142 | ||||
| | 199. | Renaudin, Sophie; Audéon, Hervé | Dans la bibliothèque musicale de Romain Rolland: Un recueil de chorals de J. S. Bach annoté par R. Schumann. | [fs]Rolland150 | 113-136 | ||||
| | 200. | Audéon, Hervé (ed.) | Romain Rolland musicologue: Célébration du cent cinquantième anniversaire de la naissance de Romain Rolland. | [fs]Rolland150 | 202p |